This was where The Loose Nib began: thirty days, thirty subjects and no daily decision about what to draw. The idea was simple. Each day The Reasonable Tyrant would choose an architectural subject, set the challenge and provide a reference image. I would draw it in ink and wash, send it back and receive a critique and a score out of ten. The subjects gradually become more demanding, but the real challenge remains much the same throughout: simplify what is in front of me, make more confident and selective marks, use shadow rather than detail to describe form — and learn when to put the pen down.
Each day’s challenge has its own link below and each 30 Day Challenge has its own page where all sketches for that challenge can be found in one big gallery, where you can pick your favourite!
How the sketches are scored
The scores given during my first 30-day challenge were perhaps a little too encouraging. An 8 or 9 out of 10 became a fairly regular occurrence, which left rather too little room to measure improvement. From Day 30 onwards, the Reasonable Tyrant and I have therefore agreed on a rather more demanding scale. A high score should mean something, and half marks can be used where a sketch falls between two levels:
10 – Exceptional: Very rare. A sketch where everything has come together and there is little I would change.
9 – Outstanding: A genuinely accomplished piece of work.
8 – Excellent: A sketch I would seriously consider framing and hanging on the wall.
7 – Very good: Almost there, but with identifiable weaknesses still preventing it from being fully resolved.
6 – Good: More works than doesn’t; a good result, particularly for a developing sketcher.
5 – Competent: The exercise basically works, but there is significant room for improvement.
Below 5: Not worth scoring. Try again!
The earlier scores remain as they were given at the time — they are part of the journey — but from Day 30 onwards this is the ruler we will be using.
The Thirty Days
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Day 74 — Meteora Monasteries, Greece
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Day 73 — Notre-Dame du Haut, Ronchamp
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Day 72 — Wells Cathedral
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Day 71 — Bath Abbey
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Day 70 — Lincoln Cathedral
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Day 69 — Durham Cathedral
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Day 68 — Tewkesbury Abbey
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Day 67 — Fountains Abbey
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Day 66 — Tintern Abbey
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Day 65 — Carcassonne
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Day 64 — Sagrada Família
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Day 63 — St Paul’s Cathedral
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Day 62 — Chartres Cathedral
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Day 61 — Monumental Architecture & Lesser Detail
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Day 60 — Synthesis
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Day 59 — Complete Composition
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Day 58 — Scale & Rhythm
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Day 57 — Proportion & Geometry
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Day 56 — Rhythm & Repetition
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Day 55 — Mass & Void
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Day 54 — Light & Shadow
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Day 52 — Proportion and Rhythm
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Day 51 — The Classical Pediment
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Day 50 – The Classical Cornice
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Day 49 — Classical Architecture: The Wash
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Day 48 – Negative Space & Silhouette
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Day 47 – Arc de Triomphe – Structure & Detail
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Day 46 – Arc de Triomphe – Mass Before Detail
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Day 45 – Temple of Celsus
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Day 44 – The Roman Arch, Rhythm & Structure
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Day 43 – The Roman Arch
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Day 42 — The Pantheon, Rome.
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Day 41 — St Peter’s Basilica, Rome.
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Day 40 — Arch of Titus, Rome
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Day 39 — Columns and Walls: Temple of Portunus, Rome
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Day 38 — Light Beneath the Pediment: Maison Carrée, Nîmes
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Day 37 — Rhythm Across the River: Pont du Gard
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Day 36 – Around the Curve, Temple of Hercules Victor, Rome
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Day 35 – Through the Arch, Porte Auguste, Nimes
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Day 34 – A Window Through A Ruins
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Day 33 – Three Columns and One Structure
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Day 32 – Ionic Capital
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Day 31 – Temple of Hephaestus, Athens
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Day 30 – Pont Neuf, Paris
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Day 29 – New York Street Scene
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Day 28- Mont-Saint-Michel Street Scene
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Day 27 – Florence Cathedral & Giotto’s Campanile
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Day 26 – The Shard
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Day 25 – Edinburgh Castle
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Day 24 – Neuschwanstein Castle
